wedding photography

Fuji XT-1, is it as good as the D800?

In order to fill the void between wedding shoots I offer actor head shots and am learning the art of food photography.  While learning the latter I noticed something interesting.  I notice there are glaring differences between the Fuji XT-1 and Nikon D800.  The first difference that jumps out at you are the colors.  One is not better than the other but the differences are eye-popping and very noticeable.  The second and equally as noticeable difference is the sharpness and resolution with the clear winner being the…

When it comes to gear I hear all the time that: “the camera is just a tool”.  While that much is true I would like to point out that you would not use a roll of paper towels to hammer a nail now would you?  A ridiculous example I know but back to my point.  Yes, the camera is just a tool and each tool serves its purpose and the Fuji XT-1 is no different.  I am a huge Fuji X fan, I mean HUGE fan of these cameras.  I use the X-Pro1, XE-2 and the XT-1 and by use I mean this is what I carry to shoot 100% of my weddings!  The reasons why I shoot the Fuji X series for wedding are many, and I’ll list some (but not all) of them for you:

  1.  Light weight
  2.  Amazing low light shooters
  3.  Great skin tones
  4.  Stunning B&W images
  5.  Amazing fast lenses with my favorite being the; 56mm 1.2, 23mm 1.4 and 35mm 1.4

When it comes to flash photography the Fuji’s do just OK, but wireless manual flash using my Pocket Wizard in tandem with my Quantum T5-dr’s are as good as anything else compared to any other camera.  Because the Fuji X system cameras are such amazing low light shooters I find myself using less and less flash.  With that said there are some limitations to these cameras the caused me to pick up a Nikon D800 and I’ll get into these reasons now.

Back to my opening statement.  The D800 is not only a great camera but it nicely fills the void left by the Fuji’s.  What void you ask?  Well, I’ll tell you.  First off the D800’s auto focus is, well, better.  As in, no comparison, even with the newest firmware update on the XT-1.  Yea, yea, yea, I know that XT-1 is not designed to compete directly with the pro end DSLR’s, but I am a pro and I am going to talk about this anyway because using the right tool for the job matters!  The other area of difference is the resolution.  At 36 megapixels the D800 captured more detail, period!  Where I noticed this was when I was shooting food and this is where detail is critical and the D800 did not disappoint.  When severe cropping is needed he D800 retains all of the detail, even at a 100% crop which makes the Nikon D800 is the clear winner.  The sharpness, colors and full frame-ness of the D800 really shines in this and other areas of photography.

Where Fuji has the advantage is in the area of mobility and stunning black and white photography.  For all of my street photography the only thing I will use is my Fuji X-Pro1 and 35mm 1.4 & 23 1.4.  I adore the Fuji as a travel camera.  In fact that’s all I ever take with me when traveling.  I am headed back home to New Orleans in August and my XE-2 and X-Pro 1 will be with me for sure.  They are do wedding dresses better than anything else I’ve used.  They are almost noiseless up to 3200 ISO.  They are silent, discreet and most of all my back is not killing me at the end of a 12 hour wedding.  The auto focus is much improved and the lenses, well those lenses are simply put, YUMMY!

So, is the camera “just a tool”? In short, yes. The right tool for the right job in the hands of the right person matters more in my humble opinion.  When you need the most in the way of detail, sharpness, resolution and cropping the clear winner is the Nikon D800. But when you want B&W photos and for shooting brides the Fuji wins.  So is there room for both a DSLR and a Fuji X camera in you bag?  Yes, there is plenty of room for both and the amazing thing about living in “Merica is that you can have both!

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Above D800 100% crop

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Above XT-1 10% crop with 18-55 2.8-4.0 R

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Above Fuji XT-1 with 56mm 1.2

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Above D800 no crop

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The death of professional photography

I am sure some of you who read this will take exception to what I am about to say, and well, ok then.  But for most of you my opinion will make sense.

I have been a professional wedding and portrait photographer for over 14 years.  And in that time I have seen many trends in photography.  From the use of caution tape to models posing with pit bulls.  All of that, as cliche as it was, were trends with relation to style and concept.  The trend that I am seeing now is far more troublesome to the professional photographer.  And that is the “dumbing down” of the client.

When digital came into it’s own the debate over the death of film raged.  I always held the opinion that film use would diminish but not disappear.  The same way that photography diminished the painter.  Instead I took the stance that with digital and the internet would be a vessel that would contain millions upon millions of images.  On the surface this seems like a great idea but in reality it is very dangerous to us professionals out there.  The “how” is simple really.  The internet viewer is bombarded with these images and 99% of which have no regard to quality.  From the duck-face photo of the hot chick on Facebook to the ever so classy “look at my ab’s in the gym mirror” photo.  All of which are taken with cell phone cameras with zero regards to quality.  This list could go on and one but I will spare you this time.

Now, here is where it gets a little more complex.  With each crap photograph piling upon the other crap photographs, the viewer, aka, bride to be, actor needing head shots, family wanting portraits and so on, are lead to believe what they are seeing is what is now considered a “quality” photograph.  The are being brain washed into accepting low quality crap images are the norm and sadly this has become the new standard.  Try as we professionals might, the dumbing down of the average viewer will have a permanent impact on those of us who make a living with out cameras.

The flood of digital images have forced most professional to lower their pricing to try to stave off the influx of so called”wanna-be”, Cragislist photographers.  These  part-time, weekend warriors are the ones that will do a whole wedding for $500.00.  My issue is not the GWC (guy with camera) trying to make a buck.  My issue is with the client.  The bride who has been so condition into believing that what she is seeing on Pintrest and Facebook is the norm.  She has become oblivious to the fact that she should to expect MORE in the way of quality from her photographer rather being forced to settle for low quality crap images.

Most clients have devalued true professional photography.  They are willing to settle for low quality images for the sake of savings.  The real issue is that the clients are right!  They know they can hey a GWC for $500.00 and be ok with just “ok images.  The super majority of photographers are not professionals, they are simply GWC’s and don’t care about quality or customer service.  And this is the core issue.  The clients are being duped into accepting low quality because that is all they have seen.  And to be frank, I do not see this trend changing.  So what can we do?  Nothing really.  We can keep buying the newest $3,500.00 digital cameras and hope for the best!

Affordable Wedding Photography In Houston

If you are looking for high quality and yet affordable wedding and bridal photography then In Style Photography is your place!

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Relax! It’s Just A Photograph…

It’s OK, it’s just a photo shoot!

From time to time I come across a person or a couple who just cannot relax in front of the camera.  This is unusual by any means.  In fact few people are 100% comfortable  being the center of attention.  Not all of us are an attention seeking Kardashian!  OK with that said below are a few tips which might help you when you have to get your head shot, model beauty shot or engagement/bridal photo:

  1. Be yourself!  Too many time people feel the need to “act” instead of simply being who they are
  2. Move!  As in actually move.  I do not mean sprint like you’re in a race, but simple move and sway
  3. Take a deep breath.  I know this sounds so simple but it really does work.  Heck, take 2 deep breaths, couldn’t hurt
  4. If you have the choice shoot in a location that’s familiar to you.  Strangers and storage places add to you being uncomfortable
  5. Feel comfortable with the photographer.  Rather a good photographer will go out of their way to make you feel comfortable and safe

As you can see, nothing on this list is terrible complicated.  In fact it’s pretty darn basic.  But of none of this works, there’s alway wine!

To book my service please visit www.instylephotogrpahy.net or simply send a message using the contact form listed below.  Have a rest week form your jolly ole photographer Scott Evans with In Style Photography in Houston, TX

Is Your Photographer a Boring Downer?

Does the personality of your photographer really matter?

Of course I am going to say yes to this question, and I do have my reasons .  When selecting your photographer most have been told to look at three things: price, quality of work and experience.  While I cannot argue with any of those suggestions I would like to add a fourth to this list, personality!

If you stop to think about it for a moment you will realize that you will be spending the majority of your wedding day next to and interacting with your wedding photographer.  Same goes with your guests!  With this said, ask yourself this simple question; Do you want to be around a grumpy old, “I hate my job” kind of photographer?  Or do you want to be around one who is fun, funny, has the ability to relax you and not get stressed out and most of all, one who really enjoys their job?

I would add this component to your selection process when deciding on your photographer be it for your; wedding, family portrait or any photographic event.  So the next time you are talking to a prospective photographer try to ascertain whether her/she is relaxed, open and fun.  I am not talking hiring a stand up comic, but hire one that at least has a sense of humor!

If you have decided to have anything photographed the obviously it is important to you, so a full time professional photographer is vital!

For more information about Scott Evans and In Style Photography click here

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First wedding with the Fuji-XT1

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Fuji X100s at 3200 ISO 1/60 with built in fill flash


 

I shot my very first wedding with 100% Fuji X gear and here are my thoughts:

I brought my Fuji X100s, XT1 and XE2 and my X Pro-1 as a back up, to shoot a wedding which was indoors at the Majestic Metro in downtown Houston, TX.  The lighting was complicated to say the least.  Every color known to mankind was there, I am not kidding.  It was dimly lit and white balance was next to impossible.  I was forced to leave the cameras set on AWB, which faired pretty well I might add.  There was one glaring FAILURE with the Fuji’s that night….FLASH!

THE BAD:  If Fuji is hoping to compete with the DSLR world and wants to be considered a viable option to working pro’s like me they must address their off camera flash failure.  A tiny on camera flash will simply not cut it.  I tried everything to get my Fuji EF-42 to do it’s thing, which it did but at stunningly slow recycle times. Please keep in mind I am accustomed to shooting with a Qflash Trio with a Quantum Turbo battery and less than 1 second recycle times.  With that said the Fuji flash was almost useless as a on camera flash.  You cannot shoot fast of a bride walking down the isle with the Fuji flash system, you just can’t!  I ended up setting up 2 Quantum T5DR flashes, bare bulb, in the corners with did help.  Fuji off camera flash is a failure, period!

THE AVERAGE: The XT1 performed well, but not any better than the XE2.  The auto focus seemed the same and neither performed well all in low light.  In fact none of the Fuji’s autofocus performed well in low light.  To be fair by 5D II was not all that and a bag of chips when it came to low light AF, so there’s that.  The X100s actually performed the best of all the camera.  The AF was average but at least accurate and the lens/ISO combo and 5000 actually looked very good, especially in B&W.  One HUGE weak point was that Adobe Lightroom as of this post, does not support Fuji XT1 RAF files, so I was forced to shoot in JPEG which I prefer not to do at weddings.  The XT-1 JPEG files made the skin very “plastic looking” and odd to say the least.  I did not rate that as “bad” because PS CC Camera RAW does support the files and Lightroom will soon follow.  This caused me to use the XE2 a lot more.

Another really noticeable thing about the XT1 is that without the grip (VG-XT1) the camera is very out of balance with the 18-55 or the 60 2.4.  It was OK with the 35 1.4 and better with the 14 2.8.  The fact that Fuji did not release the grips at the time of the camera release is a head scratcher but luckily my grip arrived form B&H today, just in time for my wedding Sunday the 30th.  I will post a follow up to this section afterwards.

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Fiji X100s at 3200 ISO f2.2 @ 1/60th AWB


 

THE GOOD:  Ok now the good to really good points to that night.  Low light shooting at 3200 to 500 ISO was stunning!  I was able to really work the reception room well with the 35 1.4 and got pretty much noiseless, tack sharp shots consistently at 3200 ISO.  I set my camera to auto ISO at 3200 with min shutter speed of 1/60.  Not because I am shaky but because at a wedding rarely are people still.

The colors were, well, Fuji!  I got great color and of course stunning B&W.  It is here that I feel the Fuji X system really separates itself from all others, including Leica.  There is something flat out amazing about the Fuji X B&W photos!.  The other really good thing was the weight.  Ahhhhhhh no more Canon back pain after a long wedding shoot!  The lightweight and ergo friendly cameras made it a joy to shoot the wedding and with the new grip added to the XT1 things will only get better!

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Fuji X100s @ 5000 ISO f 2.0


 

CONCLUSION:  Do I regret selling all of my Canon gear to go 100% Fuji?  At times I guess, but I truly believe it will get better as I learn the nuances of the Fuji System.  If Fuji address their glaring failure in regard to wireless TTL off camera flash issues, then I will say without hesitation NO, I do not miss Canon.  Fuji has something special here but for a working pro there is a lot of room for improvement and I feel confident Fuji will listen to pro’s and make the changes, and soon!


 

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Fuji XE-2 ISO 400, f4.5 1/100 35mm 1.4 XF

Welcome to my photography blog!

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Hello and welcome to the blog site for In Style Photography located in Houston, Texas.

My goal with this blog is to inform the consumer about Houston based professional photography, its trends, pitfalls and successes.  I will touch on a wide array of subject matters from:

  • Wedding Photography
  • Art photography
  • How to choose a professional photographer
  • What to look for in a photographer
  • Integrity in photography
  • Gear and its importance

These are just a few of the topics I will be discussing.  I am always open to suggestions and of course tons of images will be posted!  In addition I am hoping to have guest bloggers offer their experienced based opinions on todays photography.  Make no mistake, this blog is about my passion, photography!  This blog is directly associated with my photography business located on the web at: www.instylephotography.net

Feel free to add comments and most of all I hope you enjoy what you see and read.  Thanks a million!

Scott Evans

In Style Photography